The Colonial House - A Classic Hollywood Apartment

The Colonial House. Photo: TopLACondos.com

Built in 1930 and designed by noted Los Angeles architect Leland Bryant (Harper House, Savoy Plaza, Sunset Tower), the Colonial House has long been a home to celebrities. According to The Movieland Directory, some early Hollywood residents have included Clark Gable, Carol Lombard, Myrna Loy, Eddie Cantor, William Powell, and Norma Talmadge. Cary Grant, Bette Davis and Joan Blondell have also called the place home. Earlier this year even pop singer Katie Perry purchased a place in the Colonial House, continuing the building's legacy for being a home for stars.

Listed in the National Register of Historic Places, the property features wrought-iron fixtures, gardens, a swimming pool, library, arched doorways, custom built-in cabinetry, wood-paneled elevators, a terrace and includes views of the mountains and Hollywood. The elegant Colonial House is conveniently located near the nightclubs on the Sunset Strip, is just a short drive to the premium shopping in Beverly Hills, and central to the many movie studios in the area. It's no wonder why so many stars have chosen the Colonial House as their home. 

No doubt a place like the Colonial House must have many great stories.  A couple stories I'm familiar with involve actresses Joan Blondell and Bette Davis.

Joan Blondell & Bette Davis. Colonial House residents.

In 1960, Joan Blondell, who was 54 at the time, left her Sutton Place apartment in New York City and moved back to California, finding an apartment in the seven-story Colonial House. Most of her family were in California, including her grandkids and many of her close friends. One of her longtime friends, former neighbor Frances Marion already lived in the Colonial House and the two would reunite their close friendship. Joan and Frances would catch up every afternoon at five over cocktails with some of the other female tenants which included newspaper columnist Jill Jackson, publicist Maggie Ettinger, and stockbroker Flora Marks. 

Entrance to the Colonial House. TopLACondos.com

Not long after Joan moved in she found herself busy with work on television, first as a rich widow on an episode of The Untouchables and then as a psychopath on the Barbara Stanwyck Show - both filmed at Desilu Studios in Culver City. Joan was also still working in movies too and when she would have to go out of town for location filming, her neighbor Jill Jackson would feed and walk her dogs, Bridey and Fresh. In his biography, Joan Blondell: A Life Between Takes, author Matthew Kennedy retells this story told by Jackson:

"Her life was those two ugly dogs!" said Jackson. To her consternation, "those damn dogs" only agreed to evacuate their bowels on the lawn of the nearby Christian Science church.

Bette Davis's former Colonial House living room as it appeared in 2009 when the unit was up for sale. (Gordon Thompson)

Bette Davis had many places around Los Angeles she called home at different points in her life. The Colonial House would be the last home she would live in. In the late 70s, according to the Roy Moseley memoir Bette Davis, the actor Roddy McDowall helped find her a place in Colonial House. Davis liked the apartment because it overlooked the La Ronda apartment house, where Bette and her mother first stayed when they arrived in California from New York. Bette wasn't a movie star then, but just a young woman ready for her big break.

Bette's apartment was on the fourth-floor and had large spacious rooms with twelve-foot high ceilings. She decorated the place with framed pictures nailed to the walls and with art books and family photographs on the tables. On the floor, on each side of a lattice doorway that led to the dining room, Bette placed her two Oscars which she won for Best Actress: one for Dangerous (1935) and another for Jezebel (1938).

TopLACondos.com

Moseley, who was very close to Bette in her later years, shares this story of one of his visits to Bette at the Colonial House:

"From her balcony you could see down to the swimming pool below. One day, Bette was leaning on the rail looking over at a corpulent man and his attractive family as they all swam and sunbathed. 'Look at that,' Bette shouted to me, loud enough for her voice to carry clearly down to the ground. 'Look at that disgusting man. It's revolting that a nice young girl and her children should have to be with such a fat, disgusting man.' I hoped they could not hear and tried to stop her, but she pretended not to understand what I was talking about."

Yikes! I picture dialogue like that coming out of Bette's character Jane Hudson, from the film Whatever Happened to Baby Jane? (1962). Much like Joan, Moseley mentions that Bette also enjoyed a good cocktail hour. Perhaps her tongue was loosened by liquor.

Pool area. TopLACondos.com

The Colonial House, like Leland Bryant's other West Hollywood apartment building, the Harper House, has also appeared on screen as a filming location. In the Broderick Crawford crime film, Down Three Dark Streets (1954), the Colonial House appears in a scene where Crawford and his FBI partner go to interview one of the residents as part of a crime investigation.

Broderick Crawford in the film Down Three Dark Streets (1954).

If you're now interested in moving into the Colonial House, you're in luck! There is a one bedroom unit on the first floor that is available for $1,275,000. For more information and photos on this unit visit the real estate listing here.

Bureau of Missing Persons (1933) - Film Locations

(c) Warner Bros. Entertainment

Bureau of Missing Persons, the second on-screen pairing of Pat O'Brien and Bette Davis, is not the greatest film in either actor's filmography, but this fast paced film does have some fine moments. The weakness is in the story, but seeing performances by a young O'Brien and Davis, as well as the comedic Allen Jenkins, make it worth watching at least once. 

In this screwball crime story, O'Brien plays Butch Saunders, who is assigned to work in Missing Persons because he was too brutal in his previous police assignment. After successfully solving his first Missing Persons case, Butch is assigned to find Norma Robert's (Davis) missing husband, Therme. Butch is attracted to Norma, so when he finds out that she is wanted for murder he doesn't believe it.  When Butch is sent to arrest Norma he lets her go. Later Norma's clothes are found at a dock and it appears that she has committed suicide. Butch doesn't believe Norma has killed herself so he stages a fake funeral where both Norma (who has come to see her own funeral) and Roberts have been lured out of hiding.  Norma informs Butch that Roberts killed his twin brother making it appear that he himself was dead in order to escape embezzlement charges. Butch and Norma chase down Roberts to bring him into the police department to prove his guilt and Norma's innocence.

I've tracked down most of the film locations seen during the chase scene and I'm amazed that for the most part, the locations have changed very little in nearly 80 years!

Pat O'Brien and Bette Davis

In this first location we see Roberts making his getaway, driving down 8th Street in downtown Los Angeles and making a left onto Spring Street. You will notice that all of the buildings in the background are still standing today. The hotel in the center of the screenshot is still a hotel today.

Eighth Street at Spring Street, Los Angeles

Eighth Street at Spring Street, Los Angeles (2011)

Turning onto Spring Street

8th Street and Spring Street, Los Angeles

8th Street at Spring Street, Los Angeles

8th Street at Spring Street

This next location took me a while to find. I kept second guessing myself. I wasn't absolutely sure if this was the location I thought it was, but then I found the proof I needed. The clue that made me certain that I had found the correct location is the "Brack Shops" sign in the upper right corner of the screenshot. I knew that the former Brack Shops building was located on Seventh Street and that presently it is known as the Collection building. In the next scene we see Roberts being chased down Seventh Street near the intersection of Olive. You can also see this same intersection from different camera angles in my previous posts on the film locations for the Joan Crawford film Possessed (1947) and the Charlie Chaplin film, City Lights. What I find amusing is how Bette Davis used this same film location 14 years before her famous antagonist, Joan Crawford.

Seventh Street near Olive, Los Angeles

Seventh Street near Olive, Los Angeles

This third location also took me a while to find. You will notice in the screenshot that the cars are driving by a corner building with theatre popcorn lights. Immediately, I assumed it was the former downtown Los Angeles Warner Theatre. It was the only theatre that I knew of that had a rounded marquee like that and was located on the corner of an intersection. The thing that bothered me though was that none of the background buildings where the Warner Theatre stands matched up with what is seen in the film. After doing some further research on downtown LA movie palaces I came across an old photo for the RKO Hill Street Theatre which stood at the intersection of Eighth Street and Hill Street. This theatre, like the Warner, was also located on a corner and had a rounded marquee. However, the RKO theatre was torn down sometime in the 1960s. When I went to the corner of Eighth and Hill, although the theatre is long gone, all the other buildings in the background are still standing and very recognizable. See for yourself.

Hill Street near Eighth Street, Los Angeles

Hill Street near Eighth Street, Los Angeles

Turning onto Eighth Street, Los Angeles

Corner of Eighth Street and Hill Street

Looking down Eighth Street

Looking down Eight Street

Another view of Eighth Street

Another view of Eighth Street

This last location was the easiest to find. I recognized it immediately. This is part of the Warner Bros. backlot known as "Brownstone Street." What is incredible to me is how little this part of the Warner Bros. studio has changed since 1933! Of course, you probably will recognize thousands of films that used this location over the last several decades.

Warner Bros. Studios Brownstone Street

Warner Bros. Brownstone Street

Pat O'Brien on the WB Brownstone Street

A closer look at Brownstone Street

Bureau of Missing Persons may not be the greatest film, but like I said, the film has its moments. My favorite scene is one of O'Brien and Davis sitting at a lunch counter inside of a diner. A man to their right asks for some sugar, so O'Brien slides the container. Next, a man to their left asks for the ketchup, so Davis slides the bottle down the counter. Then O'Brien asks for the sugar, salt, ketchup, pepper and everything comes sliding back at him all at once in one mess.

If you would like to see Bureau of Missing Persons for yourself, it is available through the Warner Archive Collection.

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